BBMA AGM

Bluegrass, like most of the live music scene, has been badly affected by the Covid 19 pandemic. We all hope the situation will only be temporary. As this is a quiet time for everyone, it was understandable  that at a recent Committee meeting Dave Teague announced that he was bringing forward his intended retirement as Chairman.  The Committee would like to than Dave for all his hard work on behalf of the Association, particularly in the area of Tour Support. We wish him well in all future endeavours.

Sherryl Payne is now acting chair and has posted the following announcement in the BBMA Facebook group.

Dave Teague’s recent resignation from the Chair, there have been several changes to the committee which has resulted in four out of five elected positions being ‘Acting’ only until an AGM takes place. For this reason and to abide by our Constitution we have decided to hold an AGM this year using Zoom and an electronic method of voting. Details will be in the next magazine out in September. Postal votes and any new nominations will, of course, also be accepted.

Sherryl Payne
Acting Chair

Further details about the proposed AGM can be found at https://britishbluegrass.org/agm-2020/

Featured artist – Tony Furtado

Richard Holland writes:
Back in the early days of my exposure to Bluegrass I borrowed a tent and went to The IronBridge festival and there I came across a band – Sugarbeat …….. when the banjo player wore his cap backwards you knew something special was going to happen! My first introduction to Tony Furtado. – Sugarbeat was pushing the boundaries then – with a great ‘musical drive’ and a number of songs written by the band. Notable tracks for me from their recordings were ‘Drive South’, ‘Only for a Little While’ and ‘By the Time it Gets Dark’ – and then the outrageous ‘Fry The Trout’. These tracks can be found on the album ‘Sugarbeat’ recorded in 1993 . Tony’s playing, and the band left a lasting impression creating both a drive and a groove that was new to me. Sugarbeat also introduced me to `Matt Flinner (mandolin), Sally Truitt (bass) and Ben Demerath (guitar)

Tony was born in Pleasanton, California, and got interested in music and the Banjo at an early age. He went to College at California State, Hayward as a Fine Arts Major, and whilst there he won the Grand National Banjo Championship in Kansas. He was to win the Winfield competition twice in 1987 and later in 1991. Tony’s debut album was released in 1989 (Swamped / Rounder records) — and he toured with Laurie Lewis and The Grant Street String Band – including Tom Rozum (mandolin), Scott Nygaard (guitar) and Tammy Fassaert (bass). Tony got to play with a number of the greats of Bluegrass including Tim O’Brien , Jerry Douglas and Alison Krauss among others. The Alison Krauss track ‘I Will’ has Tony playing the Banjo introduction – the track can also be found on Tony’s album Within Reach.

Tony has recorded 16 Albums for various labels, but his latest recordings – ‘The Bell’ and Cider House Sessions are out on his own label and he describes “The Bell” as his most personal of his career. A project that he retained complete artistic control.

As a Banjo player his roots are set in Scruggs, but were quickly influenced by bands like the Eagles and The Nitty Gritty Dirt Band. Watching the development of Bela Fleck helped Tony realise the potential of his playing and expand his own ideas. His technique encompasses Scruggs, Melodic and Single String playing to make him a complete master of the instrument.

‘Hawkeye’

Eventually Tony was drawn into playing Slide Guitar and that now plays a big part in his one man concerts, and his various musical collaborations. Writing songs and tunes came from his interest in literature and poetry – and there are many examples in both his recordings and live shows.

From Tony about his other life as a sculptor – “ I’m a musician and sculptor based in Portland, Oregon. For most of my life I’ve been balancing my passions between making folk music and creating ceramic sculpture. When I’m not on tour playing music in theaters and folk clubs around the world, I can be found in my sculpture studio with my hands in wet clay making things I’ve been seeing or dreaming about while on the road.

The number one inspiration for my art is the natural world and finding expressive and engaging ways to portray what I see and feel. Whether it’s an accurate biological rendering or a stylised and surreal statement, my process almost always begins with me imagining a creature, person, or structure (sometimes all three at once) somehow differently. I try to capture the duality of what is fierce and fragile in the form – the tension between survival and surrender, something we all endure as part of this wildly changing planet.”


‘Bill the Otter’

Tony’s sculptures can be viewed at his website https://tonyfurtado.com/sculpture-gallery A few items can be purchased online – https://www.etsy.com/shop/tonyfurtado

Married to Portland Singer / Songwriter Stephanie Schneiderman Tony is a real family man, and never out of contact with his son Liam in spite of the amount of travelling involved in his career. Stephanie is also a professional musician – so you can imagine, there is some careful juggling goes on to ensure all the diary dates work out.

We have been lucky in the UK to have Tony visit on a number of occasions – the last visit involved gigs with Ron Block – for me, two of my favourite Banjo players…..a real treat! Tony has also worked on the Sorefingers Staff so will be a familiar name to a large number of British Fans. Tony is also happy to answer any questions we might like to ask! Questions should be sent to me at r.l.holland@btinternet.com

Jan Jerrold Award – 2020/21

Nominations are now open for the Jan Jerrold Award. This is the BBMA’s premier award for the person who has made the most significant recent contribution to the Bluegrass music scene in the UK.

Your nominee doesn’t have to be a member of the BBMA but all nominators must be members so please include your membership number with your nomination.

Nominations will close at the end of May and the award will be announced at the BBMA AGM.

Who do you think has made a difference? Please send me their name and your reasons for nominating them. And please do it now, while you are thinking about it!

Thank you.

Les Packer
email: committee@britishbluegrass.org

PS Past Winners
Pat Francis, Gary Payne, Roland Emmanuel, Stuart Williams, Richard Holland, Kevin Garratt, Dave Bresnen, Rick Townend

The Moretons

Chris Moreton. Guitar, Banjo, Mandolin, Vocals…

Chris is mainly a Bluegrass guitarist and flat-picker of the Doc Watson, Norman Blake school. Also an accomplished finger style player, playing guitar since 1962, aged 8. During the mid 80’s & early 90’s, he performed with his own Bluegrass band, “The Jalapeno Pickers” as lead singer and guitarist, at just about every Bluegrass festival and club throughout the UK with many headline spots. He was widely recognised then as the UK’s foremost exponent of the Flatpick / Bluegrass guitar. Before this, his first Bluegrass band was “The Foggy Bottle Tops” based in Surrey in the early 70’s prior to the advent of the “Edale Bluegrass Festival”. By the late 70’s, as a member of “The Cat’s Cradle String Band” and with his beautiful (and new) Mossman Guitar, he won the Edale guitar players contest for 5 years running before standing down, becoming a contest judge and providing the first ever UK flat-pick guitar workshop.

Chris went on to be a performer/ guitar tutor at the Wadhurst Bluegrass Days, run by Rick, Rosie and Andy Townend. He was guitarist with “Jim Couza and the D’Urberville Ramblers” and can be heard on their album, “Appalachian Beach Party” on Topic. In 1996 he entered Acoustic Guitar Magazine’s first “Acoustic Guitarist of the Year” (A.G.o.t.Y.) competition and still has the exquisitely inlayed guitar he won, with his flat-picked rendition of Handel’s “The Arrival of the Queen of Sheba”. This helped to promote his guitar workshop activities and he was booked as the Bluegrass guitar tutor for the first ever fabulous Bluegrass “Sore Fingers Summer School” with Peter Wernick as banjo tutor that year. Chris was a regular tutor there for 7 more years and fondly remembers having some fantastic picking sessions with fellow tutors, David Grier and Tim Stafford during this time.

Since the turn of the century, he’s performed with subsequent fellow A.G.o.t.Y. Terry Lees, was a founder member of Old-time trio “Rattle on the Stove Pipe” with Dave Arthur and Pete Cooper and started honing a solo act working in music bars, Folk Clubs, Bluegrass festivals and continues providing Guitar and even Banjo workshops to this day. Chris still plays his Mossman guitar and has recently re-joined fellow band mates John Boston and Dick Embery, from the “Foggy Bottle Tops”, in “The Boston Boys Bluegrass Band”

Wendy Moreton. Double Bass

Wendy and Chris met in about 2005, a few years after the sad loss of his life partner Norma. They married in 2011. Wendy had a go on an old double bass that Chris had recently restored and under Chris’ guidance, took to it like a duck to water!

The sound of Wendy’s light touch on the Bass really enhances the sound of the vocals and guitar. It sets me free to play in a way that wouldn’t necessarily work if unaccompanied. Wendy is my soul mate, wonderful companion, a good sport and great fun to work with on stage”. C. M.

The band have produced 3 CDs, two of which are available on their website.

Contact:
Tel: 07791 535476 or 01495 785561
Email: moretonc@gmail.com
Website: chrismoretonmusic.com